1024programmer Photoshop Photoshop Tutorial: Detailed Process of Copying the Lady in Red – Mouse Painting Tutorial

Photoshop Tutorial: Detailed Process of Copying the Lady in Red – Mouse Painting Tutorial

Author: Anonymous Source: Amateur Mouse Painting Academy Author: Passing Classics

Let’s take a look at the key points of the tutorial:

1. Correctly view the purpose and significance of copying:

Some people may be dismissive of copying, thinking that it is something without meaning or personality. In fact, this is not the case. The foundation of creation comes from the accumulation of many aspects. In addition to thinking, a solid guarantee of technology and the accumulation of basic common sense are also important. It’s hard to imagine how convincing and appealing the scenery created by a person who doesn’t even have basic knowledge of reflection would be…

2. Re-creation spirit:

Copying is not tracing, copying is a kind of learning. I hope you will turn this process into a re-creation process. Especially in the final stage, you can break away from the reference object, add some creativity of your own ideas, and make bold choices. In this example, I simplified the model’s clothes so that they blend naturally with the red background.

3. Don’t be opportunistic:

Don’t be lazy by cloning or tracing layers. In fact, such line drawings will only be a rigid constraint, which will limit your thinking ability. Trust your eyes! Observe with your heart! The essential difference between those who can draw and those who cannot draw lies in observation!

4. Overall concept:

The demonstration in this example basically explains what the whole is. Many beginners, including some intermediate level friends, like to drill and draw parts as soon as they start. In fact, it is not difficult to draw parts. The relationship and proportion between parts are the most important part! So don’t think about how attractive the eyes should be and how smooth the skin should be from the beginning. Instead, you should consider more about the face shape, the proportions of the nose and mouth, and where the eyes are on the face…

5. How to draw hair:

How to draw hair has always been one of the most interesting topics for CG enthusiasts. After reading the demonstration in this example, you should be able to understand a general process. Never draw the hair one by one at the beginning, but summarize and group it piece by piece to express the overall volume relationship of the hair and its connection with the head. Then there is the refinement of the grouped blocks, and finally the characteristic expression of the hair strands. The depiction of hair does not need to be all parts, but those parts with the most obvious structural transitions, which need to be drawn skillfully.

6. Level of painting:

Some friends like photographic realism and think that is the highest level. In fact, it is not the case. Painting is not photography, it should have the characteristics of painting. Spiritual resemblance is more important than superficial resemblance! The details should be described in moderation. Overly complicated details will only reduce the appeal of the picture. A high degree of generalization ability is required.

Final completed picture:

1. Open the reference image in photoshop and create a new blank file based on the proportions of the reference image.

2. Fill the background, create a new layer, use a Hard round brush, and draw a basic shape with a general straight line.

3. No matter how complex the shape is, it can be summarized by the most basic basic shapes, such as triangles and polygons. Develop shape awareness and see the shapes formed by lines.

4. Divide smaller shapes in proportion to the larger shape.

5. Draw the shape and color block of the skin color.

6. Draw the color blocks of hair.

7. Merge layers and draw the most basic facial features color blocks. Don’t get too hung up on the details, look more at the relationship and proportion between parts. (In order to save display space, I press SHIFT+TAB to hide the palette)

8. Deepen the description of the facial features, draw the color of the lips, and draw the general outline of the eyes.

9. Gradually deepen the local area while ensuring the big relationship. When shaping the hair, first draw the overall volume and color distribution, and don’t delve into local details too early.

10. Use the modified brush to paint the texture of hair.

11. Select a scattered natural brush and adjust the spacing to 5%.

12.�In other dynamics, change the opactiy (opacity) control option to pen pressure (pressure pen). As a prerequisite, the digital pressure-sensitive pen option must be installed for it to be effective.

13. Continue to draw in depth and draw the highlights of the eyes.

14. Select the soft round brush, click the airbrush icon option on the status bar, and process transition strokes and turning surfaces. CTRL+M performs curve adjustment to adjust an S-shaped curve to enhance the overall contrast.

15. Use the magic wand to select the red part of the background and execute the feather selection command.

16. Add a saturation adjustment layer to reduce the saturation of the red background.


Author: Anonymous Source: Amateur Mouse Painting Academy Author: Passing Classics

Let’s take a look at the key points of the tutorial:

1. Correctly view the purpose and significance of copying:

Some people may be dismissive of copying, thinking that it is something without meaning or personality. In fact, this is not the case. The foundation of creation comes from the accumulation of many aspects. In addition to thinking, a solid guarantee of technology and the accumulation of basic common sense are also important. It’s hard to imagine how convincing and appealing the scenery created by a person who doesn’t even have basic knowledge of reflection would be…

2. Re-creation spirit:

Copying is not tracing, copying is a kind of learning. I hope you will turn this process into a re-creation process. Especially in the final stage, you can break away from the reference object, add some creativity of your own ideas, and make bold choices. In this example, I simplified the model’s clothes so that they blend naturally with the red background.

3. Don’t be opportunistic:

Don’t be lazy by cloning or tracing layers. In fact, such line drawings will only be a rigid constraint, which will limit your thinking ability. Trust your eyes! Observe with your heart! The essential difference between those who can draw and those who cannot draw lies in observation!

4. Overall concept:

The demonstration in this example basically explains what the whole is. Many beginners, including some intermediate level friends, like to drill and draw parts as soon as they start. In fact, it is not difficult to draw parts. The relationship and proportion between parts are the most important part! So don’t think about how attractive the eyes should be and how smooth the skin should be from the beginning. Instead, you should consider more about the face shape, the proportions of the nose and mouth, and where the eyes are on the face…

5. How to draw hair:

How to draw hair has always been one of the most interesting topics for CG enthusiasts. After reading the demonstration in this example, you should be able to understand a general process. Never draw the hair one by one at the beginning, but summarize and group it piece by piece to express the overall volume relationship of the hair and its connection with the head. Then there is the refinement of the grouped blocks, and finally the characteristic expression of the hair strands. The depiction of hair does not need to be all parts, but those parts with the most obvious structural transitions, which need to be drawn skillfully.

6. Level of painting:

Some friends like photographic realism and think that is the highest level. In fact, it is not the case. Painting is not photography, it should have the characteristics of painting. Spiritual resemblance is more important than superficial resemblance! The details should be described in moderation. Overly complicated details will only reduce the appeal of the picture. A high degree of generalization ability is required.

Final completed picture:

1. Open the reference image in photoshop and create a new blank file based on the proportions of the reference image.

2. Fill the background, create a new layer, use a Hard round brush, and draw a basic shape with a general straight line.

3. No matter how complex the shape is, it can be summarized by the most basic basic shapes, such as triangles and polygons. Develop shape awareness and see the shapes formed by lines.

4. Divide smaller shapes in proportion to the larger shape.

5. Draw the shape and color block of the skin color.

6. Draw the color blocks of hair.

7. Merge layers and draw the most basic facial features color blocks. Don’t get too hung up on the details, look more at the relationship and proportion between parts. (In order to save display space, I press SHIFT+TAB to hide the palette)

8. Deepen the description of the facial features, draw the color of the lips, and draw the general outline of the eyes.

9. Gradually deepen the local area while ensuring the big relationship. When shaping the hair, first draw the overall volume and color distribution, and don’t delve into local details too early.

10. Use the modified brush to paint the texture of hair.

11. Select a scattered natural brush and adjust the spacing to 5%.

12. In other dynamics, change the option of opacity control to pen pressure. As a prerequisite, the digital pressure-sensitive pen option must be installed for it to be effective.

13. Continue to draw in depth and draw the highlights of the eyes.

14. Select the soft round brush, click the airbrush icon option on the status bar, and process transition strokes and turning surfaces. CTRL+M performs curve adjustment to adjust an S-shaped curve to enhance the overall contrast.

15. Use the magic wand to select the red part of the background and execute the feather selection command.

16. Add a saturation adjustment layer to reduce the saturation of the red background.


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