Create a patterned classical barrier with Photoshop – production example

Source: China Tutorial Network Author: Program
This tutorial introduces the production method of Chinese classical style barrier. Idea: First use the filter effect to create a wooden texture, and then slowly create relief patterns and other decorations. The production method is not difficult, but the creativity and effect are very good.
Final effect

1. First create a new file, then create a new layer, set the front and rear scenery as shown in the picture, execute rendering and fiber, set the settings as shown in the picture, use the rectangular marquee tool to pull out a piece and copy it, hide layer 1 . See picture.

2. Execute the layer style on the copy of layer 2, projection 2,0,2, bevel relief 2,0.

3. Create a new layer 3, use the rectangular marquee tool to draw a selection as shown on the copy of layer 2, stroke 2 pixels, and then cancel the selection.

4. Load the stroked selection on layer 3 and press the delete key on the copy of layer 2 to get the effect as shown. Remember to hide layer 3 as you will need it later.

5. Use the rectangular or elliptical marquee tool to pull out a selection on the copy of layer 2, copy one layer, and change the style of the copied layer to bevel and embossing downward. Then delete the selection of layer 2 and the copy of layer 2 without deselecting it. The layout of the screen can be designed according to your own preferences, but each piece is made this way. The bottom box was made on a copy of Layer 2 after transforming the selection with a stroke layer. The four pieces marked on the picture are all separate and are used for carving the lower part.

6. Cut out some beautiful lace, load it into the selection area, and delete it on the corresponding layer. The three at the top are deselected and deleted, and the ones at the bottom are deleted directly. Note that the engraving must be connected to the frame.

7. Merge all visible layers, perform overall deformation, and bring up layer 1. Use the pen tool to draw the screen bracket and perform bevel relief. You can also draw patterns on the bracket to show the traces of engraving.

8. Duplicate the merged layers and perform perspective deformation on these two layers respectively, but the direction of perspective should be opposite. Add narrower edges to the outer edges of the two screens to increase their thickness, and use the Burn and Dodge tool to create the effect. Duplicate each one again, put it into a folded shape and merge it. Then create the effect of reflection and projection, and then further modify it to complete it.


9. There is a problem with the perspective of the above picture. Here is another one.

Source: China Tutorial Network Author: Program
This tutorial introduces the production method of Chinese classical style barrier. Idea: First use the filter effect to create a wooden texture, and then slowly create relief patterns and other decorations. The production method is not difficult, but the creativity and effect are very good.
Final effect

1. First create a new file, then create a new layer, set the front and rear scenery as shown in the picture, execute rendering and fiber, set the settings as shown in the picture, use the rectangular marquee tool to pull out a piece and copy it, hide layer 1 . See picture.

2. Execute the layer style on the copy of layer 2, projection 2,0,2, bevel relief 2,0.

3. Create a new layer 3, use the rectangular marquee tool to draw a selection as shown on the copy of layer 2, stroke 2 pixels, and then cancel the selection.

4. Load the stroked selection on layer 3 and press the delete key on the copy of layer 2 to get the effect as shown. Remember to hide layer 3 as you will need it later.

5. Use the rectangular or elliptical marquee tool to pull out a selection on the copy of layer 2, copy one layer, and change the style of the copied layer to bevel and embossing downward. Then no�Delete the selection area of ​​Layer 2 and the copy of Layer 2. The layout of the screen can be designed according to your own preferences, but each piece is made this way. The bottom box was made on a copy of Layer 2 after transforming the selection with a stroke layer. The four pieces marked on the picture are all separate and are used for carving the lower part.

6. Cut out some beautiful lace, load it into the selection area, and delete it on the corresponding layer. The three at the top are deselected and deleted, and the ones at the bottom are deleted directly. Note that the engraving must be connected to the frame.

7. Merge all visible layers, perform overall deformation, and bring up layer 1. Use the pen tool to draw the screen bracket and perform bevel relief. You can also draw patterns on the bracket to show the traces of engraving.

8. Duplicate the merged layers and perform perspective deformation on these two layers respectively, but the direction of perspective should be opposite. Add narrower edges to the outer edges of the two screens to increase their thickness, and use the Burn and Dodge tool to create the effect. Duplicate each one again, put it into a folded shape and merge it. Then create the effect of reflection and projection, and then further modify it to complete it.


9. There is a problem with the perspective of the above picture. Here is another one.

<!–Collectio