1024programmer Photoshop Photoshop Production Example: Cartoon Wallpaper Production Tutorial – Background Wallpaper

Photoshop Production Example: Cartoon Wallpaper Production Tutorial – Background Wallpaper

Source: eNet Author: Unknown
This tutorial introduces how to make beautiful cartoon wallpapers. Idea: The tutorial is divided into four parts. The first part is the beautiful cartoon girl, decorated flowers, text and background. The focus is on character creation. The production process is more complicated.
Final effect

1. Create a new document of 800*600 pixels, with a blank document with a white background. Then use the pen tool Draw the general outline of the character, and then adjust the hardness of the brush tool to 1 pixel. Then create a new blank layer and use the Brush Stroke command in the Paths palette. The results are as follows


2. In fact, if you look carefully, it is not difficult to find that most of the colors in cartoon MM are color fast. This is actually a vector image, which means that we can use the vector layer in PS to edit it, because it is Vector graphics do not suffer from pixel loss. The way to add a vector layer is Layer-Add Vector Layer and then select Hide All. Use the pen tool to hook out the color part we need in the vector layer mask
3. Draw the main color of the body’s skin and clothes in the vector layer mask


Continue Refinement

4. In the eyes of some beginners, the hair part seems to be difficult to deal with. In fact, the hair treatment is relatively simple. First, hook out the main black part of the hair in the vector layer mask with a pen, and then use it to set the brush. After selecting the brush tool, open the brush palette options and check the dynamic shape and smoothing options. In the dynamic shape, set it to fade and the size is 100 (this value depends on the size of the path).

Next, after using the pen tool to draw the hairline path, select the stroke path with a brush in the path palette (the tool selection at this time must be on the brush option, otherwise it will Not the same anymore).

5. Next, let’s make the fluff on the Christmas hat. Use the pen tool to draw a path and then use the gradient fill settings as follows

When using the smear tool to smear on this edge, pay attention to appropriately controlling the intensity. The general value range is 40 -86. After applying, if the edges feel a bit hard, then select the outer glow style in the layer style. You can refer to my settings

Then create a new A blank document of 100*100 pixels, with a transparent background. Use the pencil tool in the brush to click a few times on the edge of the newly created blank document, then select Edit – Define Brush Preset, save the pattern as a brush, and then close the document directly without saving.

OK, this is the end of the fluff of the hat.

6. The treatment of the small balls on the back of the hat, the pads on the arms and the fluff on the legs is the same as step 5, still use the smudge tool to deal with those. For the dark spots in the fluff, use the pen tool to create a path and then lower the transparency of the stroke.




7. The hair color is still processed in the vector layer mask, and then stroked with a brush. When the characters arrive, they are finally done and can rest. (If some friends feel too tired after doing this, they can also give up the subsequent production).

8. Next we will make the flowers in the background. First use a pen to make a path and then press CTRL+ENTER to convert it into a selection and fill it with white.

Execute Select-Feather again, feather 5 pixels and press DELETE to delete the pixels in the selection and cancel the selection. In order to facilitate observation, I changed the background color to black

Then copy a few more petals, execute the Filter-Blur-Motion Blur command, and Angle is set to 10 and distance is set to 50

Finally, place the petals in order. Use the gradient overlay style in the layer style to color it. The color is up to your personal preference, and it doesn’t have to be the same as mine.

9. Let me briefly talk about the production of starry sky. The commands used include brush, color balance, lens flare in filter, and adding noise layer blending mode. wait.

10. Let’s take a look at how to make the glowing words. First, enter the text in the background, copy the text, and put the copied copies on top of the original text

Press CTRL Click on the copy text layer, load its selection and grid it, then execute Filter-Blur-Gaussian Blur and set the radius to 2.2

Go to Edit-Stroke and set the width to 4 pixels, the color to #71CAF8, the position to center, and the other options to default. As you can see I deselected

Use layers on it The style command Outer Glow settings are as follows: Blend Mode} Screen, Opacity} 100%, Noise} 0, Color is #1297B4 Method} Soft, Expand} 12, Size} 10

Now deselect the copy of the text layer and place the original text layer on top of the copy layer and set the mode to Overlay

Merge all layers, the final effect is as follows:

Source: eNet Author: Unknown
This tutorial introduces how to make beautiful cartoon wallpapers. Idea: The tutorial is divided into four parts. The first part is the beautiful cartoon girl, decorated flowers, text and background. The focus is on character creation. The production process is more complicated.
Final effect

1. Create a new document of 800*600 pixels, with a blank document with a white background. Then use the pen tool Draw the general outline of the character, and then adjust the hardness of the brush tool to 1 pixel. Then create a new blank layer and use the Brush Stroke command in the Paths palette. The results are as follows

2. In fact, if you look carefully, it is not difficult to find that most of the colors in cartoon MM are color fast. This is actually a vector image, which means that we can use the vector layer in PS to edit it. Because it is a vector image, there is no problem of pixel loss. The way to add a vector layer is Layer-Add Vector Layer and then select Hide All. Use the pen tool to hook out the color part we need in the vector layer mask
3. Draw the main color of the body’s skin and clothes in the vector layer mask


Continue Refinement

4. In the eyes of some beginners, the hair part seems to be difficult to deal with. In fact, the hair treatment is relatively simple. First, hook out the main black part of the hair in the vector layer mask with a pen, and then use it to set the brush. After selecting the brush tool, open the brush palette options and check the dynamic shape and smoothing options. In the dynamic shape, set it to fade and the size is 100 (this value depends on the size of the path).

Next, after using the pen tool to draw the hair path, select the stroke path with a brush in the path palette (the tool selection at this time must be on the brush option Otherwise it wouldn’t be the same).

5. Next, let’s make the fluff on the Christmas hat. Use the pen tool to draw a path and then use the gradient fill settings as follows

When using the smear tool to smear on this edge, pay attention to appropriately controlling the intensity. The general value range is 40 -86. After applying, if the edges feel a bit hard, then select the outer glow style in the layer style. You can refer to my settings

Then create a new A blank document of 100*100 pixels, with a transparent background. Use the pencil tool in the brush to click a few times on the edge of the newly created blank document, then select Edit – Define Brush Preset, save the pattern as a brush, and then close the document directly without saving.

OK, this is the end of the fluff of the hat.

6. The treatment of the small ball on the back of the hat, the pads on the arms and the fluff on the legs is the same as in step 5, still use the applicator tool To deal with the dark spots in the fluff, use the pen tool to make a path and lower the transparency of the stroke.



7. The hair color is still processed in the vector layer mask, and you can just use a brush to stroke it. When the characters arrive, they are finally done and can rest. (If some friends feel too tired after doing this, they can also give up the subsequent production).

8. Next we will make the flowers in the background. First use a pen to make a path and then press CTRL+ENTER to convert it into a selection and fill it with white.

Execute Select-Feather again, feather 5 pixels and press DELETE to delete the pixels in the selection and cancel the selection. In order to facilitate observation, I changed the background color to black

Then copy a few more petals, execute the Filter-Blur-Motion Blur command, and Angle is set to 10 and distance is set to 50

Finally, place the petals in order. Use the gradient overlay style in the layer style to color it. The color is up to your personal preference, and it doesn’t have to be the same as mine.

9. Let me briefly talk about the production of starry sky. The commands used include brush, color balance, lens flare in filter, and adding noise layer blending mode. wait.

10. Let’s take a look at how to make the glowing words. First, enter the text in the background. Make a copy of each text and place the copied copies on top of the original text

Click CTRL on the copy text layer, load its selection and grid it, then execute Filter-Blur-Gaussian Blur , the radius is set to 2.2

Go to Edit-Stroke and set the width to 4 pixels, the color to #71CAF8, the position to center, and the other options to default. As you can see I deselected

Use the layer style command to set the Outer Glow settings as follows: Blending Mode } Screen, Opacity } 100%, Noise } 0, color #1297B4 Method } Soft, Expand } 12, Size } 10

Now deselect the copy of the text layer and place the original text layer on top of the copy layer and set the mode to Overlay

Merge all layers, the final effect is as follows:

<!–Collectio

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