1024programmer Photoshop Photoshop strokes to draw elegant and fresh beauties – mouse drawing tutorial

Photoshop strokes to draw elegant and fresh beauties – mouse drawing tutorial

Author: Anonymous Source: Mars Age

Everyone has the love for beauty, their heart is moved by it and their intention is drawn to it. This is what I mean when I say that interest is the best teacher, and it is one of my latest hobbies. I hope that I can share with you some of these painting steps and processes, so that everyone can share my joy in the process, and I also hope that everyone can communicate with each other and gain something from each other.

Final renderings

This tutorial describes brush strokes, just like the principles of conceptual design. It does not describe in detail, but it should be simple and clear. However, the basic modeling ability and color feeling in painting still require some experience. You can also refer to some photos and do some copying to improve your color and modeling abilities through practice. Everyone can take out their favorite photos, or photos of the girls they like, and draw them. Without further ado, let’s start now:

1. Construction of large-scale line drafts

First of all, it is best to have a rough impression in your mind before painting, and then create a background, a dark gray background, then create a new blank layer and outline the basic shape on it.

Attention skills: The dynamics of the picture require special attention. The red line indicates the dynamics of focus. The relationship between the head, neck and shoulders is very important, as well as the eye lines, mouth lines, And some structural perspective can be rough, because these are just auxiliary lines for laying out color blocks. Once you are familiar with the structure, you can directly use color blocks to express structure and light and shade. As shown in Figure (1):

2. Brush selection

Before painting the color block, first choose your own brush. I use the wacom intuos4 brush. I will always use this brush in this painting, so that the level of the brush will be easy to grasp. If the sensitivity is small, just It requires a lot of strength, and it will be more difficult to paint for a long time. The specific painting should be determined according to personal habits.

Note on skills: Pay attention to adjusting the pen’s strength sensor. It is best to adjust the sensor to be more sensitive, but you must constantly adjust the size of the brush during the painting process. The brush is shown in Figure (2):

3. Use color blocks to adjust the overall relationship

According to the previous line drawing, use color blocks to lay out the general feeling. Be sure to use large brushes. The focus is on the general relationship. Draw less and summarize. If you make a mistake, you must undo it in time. This is the first stage here. I painted about 20 strokes, focusing only on adjusting the color and light and shade. Note that the white T-shirt actually only comes in two colors. Then I tinkered with the shape, adding some key structure and accentuating the light and dark.

Attention skills: The strokes must be laid out and try as many as possible; in the process of shaping, the eraser will be used, and it must be used in conjunction with the brush tool The brush is the same, and when you rub it, you are also carving; at the same time, pay attention to adjusting the size and weight of the brush. As shown in Figure (3):

4. Processing of Color Blocks

The next step is to keep arranging the brushes to express color, light and shade, as well as the color and structural relationship between different objects and different materials. I am more accustomed to starting from the face, especially around the facial features. The dark parts are more purple and the bright parts are yellow, because yellow and purple are contrasting colors, which makes them look brighter. The white clothes are a bit bluish because in the skin we used orange, which is also a contrasting color between them.

Attention skills: When painting, pay attention to shrinking the image and observing continuously, and do not pick out details. For example, fingers can be left behind for consideration; pay attention to when sculpting, You don’t have to completely cover up the previous brushes, but pay attention to the weight. The connection and superposition between brushstrokes will produce many interesting situations. Process the color block like a patch, as shown in Figure (4):

5. Feathering and blurring

Use the lasso tool in the selection tool, and then select the place where the strokes need to be connected, then right-click and feather the selected edge. The size of the feather can be set according to the size of the selected area. If it is too large, nothing will be selected. When it is appropriate, select “Blur” – “Gaussian Blur” in the “Filter” menu and set the appropriate blur intensity value. You can see that the colors between the color blocks are beginning to blend and the edges are softened.

Attention skills: It is necessary to pay attention to the steps of feathering and blur processing.�1. Transition layer, 2. Intermediate color, 3. Natural color layer.

Picture (5)

6. Close-up depiction of shoulders

The next step is a close-up of the shoulder. First of all, draw less and observe more. Use the method of addition and subtraction for brush strokes, that is, draw one stroke and erase half of it, so that you have a triangular stroke. This way, it is easy to depict the strokes of clothes, and it is more layered. In fact, the areas depicted are only the edges where objects come into contact, such as the areas where clothes and skin contact. A more obvious purple color is added to this area. It feels a little more transparent.

Attention skills: Pay attention to the color matching. What is actually painted here is the dark and highlight areas; the number of strokes used in this characterization process cannot be too many. As shown in Figure (6)

7. Facial depiction

The next step is some characterization of the face. The characterization of the face of this work took 80% of the entire work. At the same time, I also referred to a lot of photos and changed it many times. Before I had a clear idea, I would Leave the picture blank first, and then try to draw. If you feel it is not good, you will erase it. This is also one of the advantages of computer drawing. You can no longer leave brush strokes on the face. You need to constantly feather and blur before placing the brush strokes. Feathering is blurry, and this characterization process is difficult to describe.

Attention skills: The dark parts should be transparent and the bright parts should be solid. As shown in Figure (7)

8. How to draw hair

Let’s talk about how to draw hair. The basic principle is to go from dark to light, from large brushes to small brushes, from few strokes to many strokes. Starting from the left, there are only four strokes, but there are six levels. Then create a new layer and add two strokes (the brush becomes smaller and the color becomes lighter), so there are many levels. Next, adjust the brush size smaller, brighten the color, and paint according to the rules. Next, adjust the brush size smaller and brighten the color. , add more so the hair becomes rich.

Attention skills: Pay attention to feathering and blurring the dark parts of the hair, so that the contrast between virtual and real can be vivid. As shown in Figure (8) and Figure (9)

9. Characterization of Clothes

The painting of the clothes didn’t take long. The main thing was to follow the structure of the body. I used a triangular brush and also painted half of it diagonally. The dark parts should be painted less and more feathered and blurred, so that the dark parts are transparent and the bright parts are solid.

Note on tips: Pay attention to adding some gray, so that the color contrast will be very bright. As shown in Figure (10)

10. Final adjustments

In the process of characterization, you need to constantly mirror the image to observe the dynamic structure, and observe the relationship between light and dark after removing color. Because the process of feathering and blurring requires closing layers to blend the color blocks, I personally like to paint on one layer. The entire tutorial generally introduces the techniques of composition and brushstrokes. I hope you will gain something from it.

Picture (11)


Author: Anonymous Source: Mars Age

Everyone has the love for beauty, their heart is moved by it and their intention is drawn to it. This is what I mean when I say that interest is the best teacher, and it is one of my latest hobbies. I hope that I can share with you some of these painting steps and processes, so that everyone can share my joy in the process, and I also hope that everyone can communicate with each other and gain something from each other.

Final renderings

This tutorial describes brush strokes, just like the principles of conceptual design. It does not describe in detail, but it should be simple and clear. However, the basic modeling ability and color feeling in painting still require some experience, and can also be learned.�Refer to some photos, do some copying, and practice to improve your color and styling abilities. Everyone can take out their favorite photos, or photos of the girls they like, and draw them. Without further ado, let’s start now:

1. Construction of large-scale line drafts

First of all, it is best to have a rough impression in your mind before painting, and then create a background, a dark gray background, then create a new blank layer and outline the basic shape on it.

Attention skills: The dynamics of the picture require special attention. The red line indicates the dynamics of focus. The relationship between the head, neck and shoulders is very important, as well as the eye lines, mouth lines, And some structural perspective can be rough, because these are just auxiliary lines for laying out color blocks. Once you are familiar with the structure, you can directly use color blocks to express structure and light and shade. As shown in Figure (1):

2. Brush selection

Before painting the color block, first choose your own brush. I use the wacom intuos4 brush. I will always use this brush in this painting, so that the level of the brush will be easy to grasp. If the sensitivity is small, just It requires a lot of strength, and it will be more difficult to paint for a long time. The specific painting should be determined according to personal habits.

Note on skills: Pay attention to adjusting the pen’s strength sensor. It is best to adjust the sensor to be more sensitive, but you must constantly adjust the size of the brush during the painting process. The brush is shown in Figure (2):

3. Use color blocks to adjust the overall relationship

According to the previous line drawing, use color blocks to lay out the general feeling. Be sure to use large brushes. The focus is on the general relationship. Draw less and summarize. If you make a mistake, you must undo it in time. This is the first stage here. I painted about 20 strokes, focusing only on adjusting the color and light and shade. Note that the white T-shirt actually only comes in two colors. Then I tinkered with the shape, adding some key structure and accentuating the light and dark.

Attention skills: The strokes must be laid out and try as many as possible; in the process of shaping, the eraser will be used, and it must be used in conjunction with the brush tool The brush is the same, and when you rub it, you are also carving; at the same time, pay attention to adjusting the size and weight of the brush. As shown in Figure (3):

4. Processing of Color Blocks

The next step is to keep arranging the brushes to express color, light and shade, as well as the color and structural relationship between different objects and different materials. I am more accustomed to starting from the face, especially around the facial features. The dark parts are more purple and the bright parts are yellow, because yellow and purple are contrasting colors, which makes them look brighter. The white clothes are a bit bluish because in the skin we used orange, which is also a contrasting color between them.

Attention skills: When painting, pay attention to shrinking the image and observing continuously, and do not pick out details. For example, fingers can be left behind for consideration; pay attention to when sculpting, You don’t have to completely cover up the previous brushes, but pay attention to the weight. The connection and superposition between brushstrokes will produce many interesting situations. Process the color block like a patch, as shown in Figure (4):

5. Feathering and blurring

Use the lasso tool in the selection tool, and then select the place where the strokes need to be connected, then right-click and feather the selected edge. The size of the feather can be set according to the size of the selected area. If it is too large, nothing will be selected. When it is appropriate, select “Blur” – “Gaussian Blur” in the “Filter” menu and set the appropriate blur intensity value. You can see that the colors between the color blocks are beginning to blend and the edges are softened.

Attention skills: It is necessary to pay attention to the steps of feathering blur processing: 1. Transition layer, 2. Intermediate color, 3. Inherent color layer.

Picture (5)

6. Close-up depiction of shoulders

The next step is a close-up of the shoulder. First of all, draw less and observe more. Use the method of addition and subtraction for brush strokes, that is, draw one stroke and erase half of it, so that you have a triangular stroke. This way, it is easy to depict the strokes of clothes, and it is more layered. In fact, the areas depicted are only the edges where objects come into contact, such as the areas where clothes and skin contact. A more obvious purple color is added to this area. It feels a little more transparent.

Attention skills: Pay attention to the color matching, the actual painting here is� are the dark areas and highlight areas; you cannot use too many brushstrokes in this characterization process. As shown in Figure (6)

7. Facial depiction

The next step is some characterization of the face. The characterization of the face of this work took 80% of the entire work. At the same time, I also referred to a lot of photos and changed it many times. Before I had a clear idea, I would Leave the picture blank first, and then try to draw. If you feel it is not good, you will erase it. This is also one of the advantages of computer drawing. You can no longer leave brush strokes on the face. You need to constantly feather and blur before placing the brush strokes. Feathering is blurry, and this characterization process is difficult to describe.

Attention skills: The dark parts should be transparent and the bright parts should be solid. As shown in Figure (7)

8. How to draw hair

Let’s talk about how to draw hair. The basic principle is to go from dark to light, from large brushes to small brushes, from few strokes to many strokes. Starting from the left, there are only four strokes, but there are six levels. Then create a new layer and add two strokes (the brush becomes smaller and the color becomes lighter), so there are many levels. Next, adjust the brush size smaller, brighten the color, and paint according to the rules. Next, adjust the brush size smaller and brighten the color. , add more so the hair becomes rich.

Attention skills: Pay attention to feathering and blurring the dark parts of the hair, so that the contrast between virtual and real can be vivid. As shown in Figure (8) and Figure (9)

9. Characterization of Clothes

The painting of the clothes didn’t take long. The main thing was to follow the structure of the body. I used a triangular brush and also painted half of it diagonally. The dark parts should be painted less and more feathered and blurred, so that the dark parts are transparent and the bright parts are solid.

Note on tips: Pay attention to adding some gray, so that the color contrast will be very bright. As shown in Figure (10)

10. Final adjustments

In the process of characterization, you need to constantly mirror the image to observe the dynamic structure, and observe the relationship between light and dark after removing color. Because the process of feathering and blurring requires closing layers to blend the color blocks, I personally like to paint on one layer. The entire tutorial generally introduces the techniques of composition and brushstrokes. I hope you will gain something from it.

Picture (11)


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