<p
Teach you how to create a cool poster effect in Photoshop
Author: He Dan Tutorial source: China Tutorial Network
Look at the effect first:
First: selected An image to be processed.
Second: Enter the editing state in standard mode (the button to the left in the third to last row in the toolbar is the standard mode. Select between the two buttons to quickly switch between fast mask mode and standard mode, or Use shortcut key Q).
No. Three: Click the color box in the toolbar to pop up the color picker dialog box and set the foreground color.
Four: Create a new layer (Layer 1) and fill Layer 1 with the foreground color you just set.
Fifth: Change the layer mode of layer 1 to “Color”. This is done here to change the tone of the image. There are many methods. The layer mode is used here to change the image without distracting it. See the effect.
Sixth: Click the upper right corner of the color box in the toolbar to switch the foreground color and background color (X), then click the color box in the toolbar again to bring up the color picker dialog box and select light gray. (The gray color here is customized)
Seventh: Create a new layer (Layer 2) again and fill it with the selected light gray. There is a reason why gray is chosen here. It is different from adding white directly. Their color scale values are different. You can try it yourself. After adding noise to a white canvas and adding noise to (each) gray canvas The effect is different if you look at the changes in color levels. I won’t explain it in detail here.
Eighth: Execute Menu>Filter>Noise>Add Noise, add noise to the light gray to create a dry feeling.
No. 9: The Add Noise dialog box pops up, enter the appropriate value in the quantity, select average distribution in the distribution, and check Monochrome.
No. Ten: The effect of layer 2 after adding noise.
Eleventh: Change the layer blending mode of layer 2 to color deepen.
Twelfth: Copy another background layer as a background copy. And enter Edit in Quick Mask Mode (Q).
Thirteenth: Use the Gradient Tool (G) in the toolbar to pull out a gradient effect from the foreground white to the background black in a radial gradient from the middle of the image.
Fourteenth: It can be seen that there is a red transparent layer effect in the image at this time, which is the mask effect. When entering “Edit with Mask Mode”, a quick mask channel automatically appears in the channel panel.
Fifteenth: It can be seen that the relationship between fast mask and channel. Click the small black triangle on the right side of the channel floating panel to pop up the hidden menu. “Quick Mask Options” is together with the channel panel. You can see the connection between the mask and the channel. This is why we also mentioned the mask issue while talking about the channel. The relationship between the mask and the channel is indispensable. part. Masks, like channels, also follow the color scale principle from black to white 0-225, which is an art between black and white.
Sixteenth: If the reader does not like this light red mask effect, in addition to selecting the “Quick Mask Option”, you can also double-click the quick mask channel or the “Edit in Mask Mode” button in the toolbar , a “Quick Mask Options” dialog box will appear, select your favorite color in the color box. You can also set the appropriate opacity so that you can clearly observe the underlying image while maintaining a certain mask area.
Seventeenth: Click the “Edit in Standard Mode” button in the toolbar. The system automatically generates unmasked image selections generated by radial gradients. After entering the standard mode editing state, the quick mask channel in the channel panel disappears automatically, but the mask image selection does not disappear and remains unchanged. This is “fast” masking like never before. It is a so-called “temporary channel”.
Eighteenth: Return to the layers panel, select a copy of the background, and while keeping the selection unchanged, press Delete to delete the image in the selection.
Nineteenth: Make the background image visible, and then change the layer blending mode of the background copy to Difference. Gives the image a sense of focus.
Twenty: Use All images are visible to view the image effects. At this time, the basic image effect and feel of the poster are roughly revealed. In order to achieve a sense of weirdness. Here you can make the image brighter and adjust it according to the situation. Let’s go into further adjustments. Let’s make the picture more breathable, it’s a bit depressing now.
Twenty-one: Copy the background layer again to background copy 2, and hide other layers so that you can observe the effect of the current image. This time we’re going to make the layer more spatial.
Twenty-two: Use the Gradient Tool (G) in the toolbar again to draw a radial gradient on the eye closest to us, from the foreground color white to the background color black (from the center of the eyeball to the corner of the eye) Gradient effect. At this time, the eyes are the uncovered area.��It is partly a covered area.
Twenty-three: Double-click the “Edit in Mask Mode” button to pop up the Quick Mask Options dialog box, and change the color indication of “Masked Area” to “Selected Area”.
Twenty-four: After confirmation, the unmasked eye area in the image becomes a covered area, and its color areas also become unmasked areas. (This is to explain the conversion adjustment of the mask)
Twenty-five: Click the “Edit in Standard Mode” button in the toolbar to automatically generate an image selection around the eye.
Twenty-six: Execute the inverse selection command (Shift Ctrl I).
Twenty-seven: Select the background copy 2 layer and Delete to delete the image in the selection.
Twenty-eighth: Display the background image and background copy, and change the layer blending mode of background copy 2 to Screen. Make the image have a “center” highlight and draw out the sense of space before and after.
Twenty-nine: Show all layer effects. At this time, the image layers at the eye position are highlighted, giving a sense of space. The detailed processing is done below.
No. 30: Choose a suitable brush, create a new layer (layer 3) and paint on the picture. Create a scratchy feel.
Thirty-one: Create a new layer (Layer 4), select a mottled brush, adjust it to a suitable size, and use the mouse to smear it freely on the screen.
Thirty-two: Create a new layer (layer 5), choose a brush at will and adjust it to the appropriate size (“[” brush with a small number of images “]” brush with a large number of images), directly use the mouse in the picture Draw out the rough glyph shape. (If you have the conditions, you can use the stylus to write more dazzling fonts or spend time using paths to outline here. Only random effects are required)
Thirty-three: Create a new layer again (Layer 6) and load it For the selection on layer 5, execute Menu>Select>Modify>Expand, and expand the selection to 18 pixels. (Feel free to customize without requiring full consistency).
Thirty-fourth: Execute Menu>Select>Feather, the feather radius is 35 pixels. (can be set flexibly).
35: Keep the selection unchanged, fill it, change the layer blending mode to brighten, and bring out the contrast. align=”left”>
Thirty-six: Use again Use the Text tool (T) in the toolbar to enter a line of text. /10/26/200710269258504.jpg” border=”0″ alt=”” onload=”return imgzoom(this,700);” onclick=”javascript:window.open(this.src);” style=”cursor: pointer;”/>
Thirty-seven: Select the stroke in the layer style, stroke the text you just entered, and set the opacity to 50%.
Thirty-eighth: The effect after stroking. After stroking in this way, while changing the size of the text, the thickness of the stroke does not change, and no teeth are produced, which is different from Edit > Stroke.
Thirty-nine: In order to make the composition of the picture fuller, enter a line of text at the upper part of the page and choose a font that promotes mottled text.
No. 40: Finally, comprehensive adjustments are made, and the final effect is shown in the figure. A poster-like picture is completed.
Simple, we teach You, profound, share it
<p
Teach you how to create a cool poster effect in Photoshop
Author: He Dan Tutorial source: China Tutorial Network
Look at the effect first:
First: selected An image to be processed.
Second: Enter the editing state in standard mode (the button to the left in the third to last row in the toolbar is the standard mode. Select between the two buttons to quickly switch between fast mask mode and standard mode, or Use shortcut key Q).
No. Three: Click the color box in the toolbar to pop up the color picker dialog box and set the foreground color.
Four: Create a new layer (Layer 1) and fill Layer 1 with the foreground color you just set.
Fifth: Change the layer mode of layer 1 to “Color”. This is done here to change the tone of the image. There are many methods. The layer mode is used here to change the image without distracting it. See the effect.
Sixth: Click the upper right corner of the color box in the toolbar, switch the foreground color and background color (X), and then click the color box in the toolbar again to pop up the color picker window.��box, select light gray. (The gray color here is customized)
Seventh: Create a new layer (Layer 2) again and fill it with the selected light gray. There is a reason why gray is chosen here. It is different from adding white directly. Their color scale values are different. You can try it yourself. After adding noise to a white canvas and adding noise to (each) gray canvas The effect is different if you look at the changes in color levels. I won’t explain it in detail here.
Eighth: Execute Menu>Filter>Noise>Add Noise, add noise to the light gray to create a dry feeling.
No. 9: The Add Noise dialog box pops up, enter the appropriate value in the quantity, select average distribution in the distribution, and check Monochrome.
No. Ten: The effect of layer 2 after adding noise.
Eleventh: Change the layer blending mode of layer 2 to color deepen.
Twelfth: Copy another background layer as a background copy. And enter Edit in Quick Mask Mode (Q).
Thirteenth: Use the Gradient Tool (G) in the toolbar to pull out a gradient effect from the foreground white to the background black in a radial gradient from the middle of the image.
Fourteenth: It can be seen that there is a red transparent layer effect in the image at this time, which is the mask effect. When entering “Edit with Mask Mode”, a quick mask channel automatically appears in the channel panel.
Fifteenth: It can be seen that the relationship between fast mask and channel. Click the small black triangle on the right side of the channel floating panel to pop up the hidden menu. “Quick Mask Options” is together with the channel panel. You can see the connection between the mask and the channel. This is why we also mentioned the mask issue while talking about the channel. The relationship between the mask and the channel is indispensable. part. Masks, like channels, also follow the color scale principle from black to white 0-225, which is an art between black and white.
Sixteenth: If the reader does not like this light red mask effect, in addition to selecting the “Quick Mask Option”, you can also double-click the quick mask channel or the “Edit in Mask Mode” button in the toolbar , a “Quick Mask Options” dialog box will appear, select your favorite color in the color box. You can also set the appropriate opacity so that you can clearly observe the underlying image while maintaining a certain mask area.
Seventeenth: Click the “Edit in Standard Mode” button in the toolbar. The system will automatically generate an unmasked image generated by a radial gradient.� area. After entering the standard mode editing state, the quick mask channel in the channel panel disappears automatically, but the mask image selection does not disappear and remains unchanged. This is “fast” masking like never before. It is a so-called “temporary channel”.
Eighteenth: Return to the layers panel, select a copy of the background, and while keeping the selection unchanged, press Delete to delete the image in the selection.
Nineteenth: Make the background image visible, and then change the layer blending mode of the background copy to Difference. Gives the image a sense of focus.
Twenty: Use All images are visible to view the image effects. At this time, the basic image effect and feel of the poster are roughly revealed. In order to achieve a sense of weirdness. Here you can make the image brighter and adjust it according to the situation. Let’s go into further adjustments. Let’s make the picture more breathable, it’s a bit depressing now.
Twenty-one: Copy the background layer again to background copy 2, and hide other layers so that you can observe the effect of the current image. This time we’re going to make the layer more spatial.
Twenty-two: Use the Gradient Tool (G) in the toolbar again to draw a radial gradient on the eye closest to us, from the foreground color white to the background color black (from the center of the eyeball to the corner of the eye) Gradient effect. At this time, the eyes are the uncovered area, and the other parts are the covered areas.
Twenty-three: Double-click the “Edit in Mask Mode” button to pop up the Quick Mask Options dialog box, and change the color indication of “Masked Area” to “Selected Area”.
Twenty-four: After confirmation, the unmasked eye area in the image becomes a covered area, and its color areas also become unmasked areas. (This is to explain the conversion adjustment of the mask)
Twenty-five: Click the “Edit in Standard Mode” button in the toolbar to automatically generate an image selection around the eye.
Twenty-six: Execute the inverse selection command (Shift Ctrl I).
Twenty-seven: Select the background copy 2 layer and Delete to delete the image in the selection.
Twenty-eighth: Display the background image and background copy, and change the layer blending mode of background copy 2 to Screen. Make the image have a “center” highlight and draw out the sense of space before and after.
Twenty-nine: Display all layer effects. At this time, the image layer at the eye position is highlighted, showing a sense of space. The details are processed below Produced. 0″ alt=”” onload=”return imgzoom(this,700);” onclick=”javascript:window.open(this.src);” style=”cursor: pointer;”/>
Thirty: Choose a suitable brush and create a new layer (layer 3) to create a scratchy feel in the picture. left”>
Thirty-one: Create a new layer (Fig. Layer 4), select a mottled brush and adjust it to a suitable size, and use the mouse to apply it randomly on the screen.
Thirty-two: Create a new layer (Layer 5), choose a brush at will, just adjust it to Suitable size (“[” small number of brush pixels “]” large number of brush pixels), directly use the mouse to smear a rough glyph on the screen. (If you have the conditions, you can use the stylus to write more dazzling fonts or spend time using paths to outline here. Only random effects are required)
Thirty-three: Create a new layer again (Layer 6) and load it For the selection on layer 5, execute Menu>Select>Modify>Expand, and expand the selection to 18 pixels. (Feel free to customize without requiring full consistency).
Thirty-fourth: Execute Menu>Select>Feather, the feather radius is 35 pixels. (can be set flexibly).
Thirty-five: Keep the selection unchanged, fill it, change the layer blending mode to brighten, and bring out the contrast.
Thirty-sixth: Use the text tool (T) in the toolbar again to enter a line of text.
Thirty-seven: Select the stroke in the layer style, stroke the text just entered, and set the opacity to 50%.
Thirty-eighth: The effect after stroking. After stroking in this way, while changing the text size, the thickness of the stroke does not change, and no teeth are produced, which is different from Edit > Stroke.
Thirty-nine: In order to make the composition of the picture fuller, enter a line of text at the upper part of the page and choose a font that promotes mottled text.
No. 40: Finally, comprehensive adjustments are made, and the final effect is shown in the figure. A poster-like picture is completed.
Simple, we teach You, profound, share it
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